Laurent Schkolnyk is a French artist
uses the printmaking method called Mezzotint, which was developed
in the seventeenth century throughout his art practice. Working
both in black and white and with three plate colour prints Schkolnyk
creates fanciful still life’s which are included in the collections
of The County Museum of Los Angeles, The Fine Arts Museum of San
Francisco, and The National Library of Paris. Schkolnyk trained
both in medicine and fine art, studying at The Beaux Arts School
in Nates. Later he apprenticed with the renowned mezzotint artist
Yozo Hamaguchi. Schkolnyk, uses the still life format to unleash
small worlds, which whirl inside a teacup or slip out of a vase.
His colour prints illuminate their subject matter from within. These
objects issue light into their surroundings and seem linked to the
space around them. In contrast to his colourful works, which wed
subject and background are his black and white prints which create
a clear division of energy between object an it’s environment
These are edgy often unsettling works which hold a kinetic potential.
Here Schkolnyk explores a world without humans in which objects
take on lives of their own.
Schkolnyk, works capture both a spontaneous moment and a world,
which hangs outside of time. Each seems a small miracle when measured
against the laborious and meticulous demands of mezzotint.